Maxine Peake (appearing in person at Mostly British) kills as they say in the comedy trade, playing the title character with unflinching boldness and grit that absolutely mesmerizes. As a female standup comic trying to make it in the northern working men’s clubs of the 70s, she confronts the unrelenting sexism and violence surrounding working class women in Northern England. Through a collage of flashbacks, we learn how resilience was knocked into her by an abusive father, husband, and broken alcoholic mother. Funny Cow stands a vibrant, firebrand dressed in red with corkscrew blonde hair and bright red lips, using comedy as her lifeline, amid a dreary, harsh, grimy cityscape. She has a fur coat and fancy sports car for comfort but they can’t erase the deep hurt in her soul. This film makes us uncomfortable. We may not laugh but we will think. Remember Archie Rice in The Entertainer – he was “dead behind the eyes”. Funny Cow calls herself “a monster behind the eyes”.  But no, she is just trying to survive and we applaud her for it. Miss Peake and board member Tony Broadbent will introduce the film and participate in a Q & A following the screening.  

2017 UK (92 mins)

GUEST OF HONOR:  MAXINE PEAKE
English actress Maxine Peake will join us at the festival with two of her new films, which she will introduce and participate in a Q & A following the screenings. She stars in “Peterloo,” as the mother of a young British conscript in this story of the infamous 1819 massacre at Peterloo. In “Funny Cow” she plays a female comic attempting in the 1970s to find a place in England’s comedy circuit. The Guardian wrote of her performance “Peake rises magnificently to the challenge of the role, her face flickering between a practical smile and a silent scream.” She is a regular on the Hulu show “The Bisexual” and is known in the UK for lead roles in the TV series “Dinnerladies” and “Shameless.” She has also appeared in “Black Mirror” and the movie “The Theory of Everything.” Her stage work includes the title characters in “Hamlet” and “Miss Julie” and as Blanche in “A Streetcar Named Desire,” a performance The Guardian described as “exquisite” and “breathtaking.”

To understand The Beatles—and what made John Lennon the man he was—you have to understand Liverpool, the city that gave birth to Lennon and The Fab Four. Director Roger Appleton’s documentary is a Liverpool focused retrospective on the early life and times—and traumatic events—that went to shape Lennon’s complex personality and influence his later songs and music. It reveals—with painful candor—how Lennon was an “outsider” from birth and how it impacted his schooldays and teenage years. And how it ultimately drove him to form his first group, The Quarrymen, then led to his early embrace of rock ‘n’ roll and his meeting with fellow rock ‘n’ roll mad Paul McCartney. Friends and contemporaries give new and very telling details about…the man we’ve known for all these years. Introduced by Tony Broadbent, author of the guidebook “’From Be-Bop-a-Lula’ to ‘Beatlemania’- The Beatles Early years in Liverpool. Hamburg and London

UK  2018 93 minutes

This engrossing coming-of-age thriller was shot in the little leafy town of Pemberton in Western Australia. Teenager Charlie Bucktin, shy and bookish, is drawn into the chaotic world of Jasper Jones, a mixed-race Aboriginal outcast who comes to him for help.  The twists and turns include a dead body, race and class divisions, puppy love and the power of doing the right thing. The young actors, Levi Miller and Aaron McGrath, are convincing and Toni Colette turns in a gutsy, gritty performance as Charlie’s unhappy mother.  Hugo Weaving looms large as the town’s outsider. Set in the late 1960s in the fictional town of Corrigan, the film reminds us of how social mores were rapidly changing, even in remote places. It was adapted from Craig Silvey’s acclaimed young adult novel that’s been called the Australian “To Kill a Mockingbird.’’

Australia, 2017 (101 minutes)

“Edie,” a coming of age story, skips past adolescence and adulthood and begins when title character Edie Moore is in her 80s. A dissatisfied wife and caretaker, soon to be widowed, she appears to be at loose ends. Her daughter, seeing only a frail, disgruntled old woman, wants to put her in a home.  But a postcard and a long-ago promise changes the story for Edie, played by Sheila Hancock with both great emotional range and enviable physical gifts. Fulfilling a lifelong dream, Edie runs away to the Scottish Highlands to climb Mount Suilven, the most enigmatic mountain in North West Scotland.  On the way she teams up with a brash young mountaineering guide. The scenery will make you swoon as will Hancock’s physical prowess (no stunt double was used). UK 2017 (102 minutes)

Sponsored by Bruce Lymburn

Directed by Carlos Marques-Marcet, this is a romantic comedy with a difference. No home comforts or soft lights, but a cramped London canal boat which offers a delightful visual backdrop and setting for the story. The central lesbian couple who live on the boat face a conflict which challenges their visions for the future. Eva, a salsa teacher, desperately wants to have a child, while Kat, her girlfriend, is not keen. Enter Roger, Kat’s dear Spanish friend, who is enlisted as the sperm donor and unexpectedly for a lothario, warms to the idea of fatherhood. What makes the film so charming is the lively, loving banter between the trio, enlivened by wine and laughter. But the underlying emotional turmoil threatens to end in heartbreak and unravel their free-spirited aspirations. Playing mother and daughter are Geraldine Chaplin and Oona Chaplin—Charlie Chaplin’s daughter and granddaughter.

UK 2017 (113 minutes)

This atmospheric drama set in a glittering Sydney is reminiscent of the Ethan Hawke-Julie Delpy “Before Sunrise” series in portraying two eminently likeable characters who are each willing to risk exploring where a chance encounter will lead them and the effects of fate. As Viv and Jasper, stars Emily Barclay (“The Light Between Oceans”) and Benedict Samuel (the TV series “Gotham”) literally collide in a busy intersection in Sydney, damaging Viv’s cellphone. The accident requires her to delay her return to her fiance in London while her phone is repaired. A contrite Jasper offers her use of his phone and company as the two share a series of adventures that lead them to shed their initial reserve. They happen upon numerous bizarre characters while roaming deeply into Sydney’s nightlife. Australia 2018 (85 minutes)

Greatness is thrust upon Britain’s Prince Albert after his brother abdicates and he is forced to ascend the throne as King George VI. He is not a natural for the role being timid, low in self-confidence and suffering from a debilitating stammer. 1936 was a critical time in Europe, threatened by the ambitions of Hitler and Mussolini, and Britain needed a strong, clear voice. The Queen Mother astutely hired Lionel Logue, an Australian actor and speech therapist, to help the King overcome his stammer. The film is the moving story of the relationship between these two men, a deep and often hilarious friendship. It is a superb film, a winner of a best picture Oscar and best actor for an extraordinary Colin Firth as the King. Directed by Tom Hooper with Geoffrey Rush as the speech therapist and Helena Bonham Carter and Guy Pearce.  

UK 2010 (118 minutes)

“Elizabeth” and “Richard III” will be introduced by Peter Robinson, movie reviewer for KALW91 FM and editor of San Francisco’s Books & Travel.

Laurence Olivier’s “Richard III,” from 1955 is considered the best of his efforts behind the camera. Directing himself, he gives a much heralded if undeniably campy performance as the malformed title character who methodically plots and murders his way to the throne. Olivier delivers Richard’s famous soliloquies directly facing the audience. Given a lavish budget estimated at several millions, he shot the film in color and Vista Vision, a super-sharp widescreen process that enhanced his own visual concepts. The Mostly British festival will screen a new eye-boggling digital restoration. The film also is notable for starring four actors who ultimately are knighted: Cedric Hardwicke, Ralph Richardson, John Gielgud and Olivier. UK 1955 (160 minutes)  

Directed by Shekar Kapur, this lush period extravaganza stars Cate Blanchett in the role that announced her as a star as Elizabeth 1 during the early years of her reign. She was a Protestant monarch in a Catholic country, reason enough for the instability surrounding her reign. Conspiracy and intrigue created her steely determination to survive and rule, with betrayal eventually causing her to relinquish the one man she loved, the dashing Joseph Fiennes as Sir Robert Dudley, and become “the Virgin Queen”. Fabulous sets and costumes combined with a stellar cast (including Fiennes, Geoffrey Rush, Christopher Eccleston and Richard Attenborough) led by Blanchett who enthralls as the passionate young princess adopting the merciless mantle of the Queen of England during a tumultuous period in British history. Rightly garnered 7 Oscar nominations.UK 1998 (124 minutes)