“Edie,” a coming of age story, skips past adolescence and adulthood and begins when title character Edie Moore is in her 80s. A dissatisfied wife and caretaker, soon to be widowed, she appears to be at loose ends. Her daughter, seeing only a frail, disgruntled old woman, wants to put her in a home.  But a postcard and a long-ago promise changes the story for Edie, played by Sheila Hancock with both great emotional range and enviable physical gifts. Fulfilling a lifelong dream, Edie runs away to the Scottish Highlands to climb Mount Suilven, the most enigmatic mountain in North West Scotland.  On the way she teams up with a brash young mountaineering guide. The scenery will make you swoon as will Hancock’s physical prowess (no stunt double was used). UK 2017 (102 minutes)

Sponsored by Bruce Lymburn

Directed by Carlos Marques-Marcet, this is a romantic comedy with a difference. No home comforts or soft lights, but a cramped London canal boat which offers a delightful visual backdrop and setting for the story. The central lesbian couple who live on the boat face a conflict which challenges their visions for the future. Eva, a salsa teacher, desperately wants to have a child, while Kat, her girlfriend, is not keen. Enter Roger, Kat’s dear Spanish friend, who is enlisted as the sperm donor and unexpectedly for a lothario, warms to the idea of fatherhood. What makes the film so charming is the lively, loving banter between the trio, enlivened by wine and laughter. But the underlying emotional turmoil threatens to end in heartbreak and unravel their free-spirited aspirations. Playing mother and daughter are Geraldine Chaplin and Oona Chaplin—Charlie Chaplin’s daughter and granddaughter.

UK 2017 (113 minutes)

This atmospheric drama set in a glittering Sydney is reminiscent of the Ethan Hawke-Julie Delpy “Before Sunrise” series in portraying two eminently likeable characters who are each willing to risk exploring where a chance encounter will lead them and the effects of fate. As Viv and Jasper, stars Emily Barclay (“The Light Between Oceans”) and Benedict Samuel (the TV series “Gotham”) literally collide in a busy intersection in Sydney, damaging Viv’s cellphone. The accident requires her to delay her return to her fiance in London while her phone is repaired. A contrite Jasper offers her use of his phone and company as the two share a series of adventures that lead them to shed their initial reserve. They happen upon numerous bizarre characters while roaming deeply into Sydney’s nightlife. Australia 2018 (85 minutes)

Greatness is thrust upon Britain’s Prince Albert after his brother abdicates and he is forced to ascend the throne as King George VI. He is not a natural for the role being timid, low in self-confidence and suffering from a debilitating stammer. 1936 was a critical time in Europe, threatened by the ambitions of Hitler and Mussolini, and Britain needed a strong, clear voice. The Queen Mother astutely hired Lionel Logue, an Australian actor and speech therapist, to help the King overcome his stammer. The film is the moving story of the relationship between these two men, a deep and often hilarious friendship. It is a superb film, a winner of a best picture Oscar and best actor for an extraordinary Colin Firth as the King. Directed by Tom Hooper with Geoffrey Rush as the speech therapist and Helena Bonham Carter and Guy Pearce.  

UK 2010 (118 minutes)

“Elizabeth” and “Richard III” will be introduced by Peter Robinson, movie reviewer for KALW91 FM and editor of San Francisco’s Books & Travel.

Laurence Olivier’s “Richard III,” from 1955 is considered the best of his efforts behind the camera. Directing himself, he gives a much heralded if undeniably campy performance as the malformed title character who methodically plots and murders his way to the throne. Olivier delivers Richard’s famous soliloquies directly facing the audience. Given a lavish budget estimated at several millions, he shot the film in color and Vista Vision, a super-sharp widescreen process that enhanced his own visual concepts. The Mostly British festival will screen a new eye-boggling digital restoration. The film also is notable for starring four actors who ultimately are knighted: Cedric Hardwicke, Ralph Richardson, John Gielgud and Olivier. UK 1955 (160 minutes)  

Directed by Shekar Kapur, this lush period extravaganza stars Cate Blanchett in the role that announced her as a star as Elizabeth 1 during the early years of her reign. She was a Protestant monarch in a Catholic country, reason enough for the instability surrounding her reign. Conspiracy and intrigue created her steely determination to survive and rule, with betrayal eventually causing her to relinquish the one man she loved, the dashing Joseph Fiennes as Sir Robert Dudley, and become “the Virgin Queen”. Fabulous sets and costumes combined with a stellar cast (including Fiennes, Geoffrey Rush, Christopher Eccleston and Richard Attenborough) led by Blanchett who enthralls as the passionate young princess adopting the merciless mantle of the Queen of England during a tumultuous period in British history. Rightly garnered 7 Oscar nominations.UK 1998 (124 minutes)

Breezing onto the big screen like a small-screen observational comedy, complete with a deadpan voiceover, longtime collaborators director Jamie Thraves and actor Aiden Gillen’s (“Game of Thrones,” “The Wire”) latest is a not-exactly-documentary-not-really-fiction film– a low-fi, freewheeling, meta-riff on fame with Gillen playing an iteration of himself, an actor named Aidan who lives alone with a dog, struggles to connect with his (real-life) teenage daughter, and has mixed feelings about fame. He has a bad back, can’t sleep, and is playing a serial killer – the element which eventually lifts this good-natured Dublin-set charmer into pure fiction. One hopes. With a dark underpinning that repeatedly bubbles to the surface, a solid sense of humor, and a rollicking lens on the absurd, this is a uniquely entertaining film. Ireland 2017 (75 minutes)

Directed by Rohena Gera, this gentle Indian drama focuses on Ratna, a young woman from a poor rural village who works as a live-in maid to a wealthy young man, Ashwin. Both seem lost with dreams that have been thwarted. But this is not a story about the docile, downtrodden Asian woman, although Ratna is quiet and guarded among the sophisticates of the Mumbai elite. Despite the careless disdain from Ashwin’s family and friends, she maintains her dignity and determination to make her own way in life. The film explores these two young people reaching through the stultifying barriers of caste or modern-day social class to the humanity and compassion they share. It is beautiful to watch.

India, France 2018 (96 mins)

This heartwarming documentary written and directed by Naina Sen tells the story of an unlikely cultural exchange that occurred when the newly revived Central Australian Aboriginal Women’s Chorus left their home in the Outback and flew overseas for the first time to sing ancient German Lutheran hymns in their own language at Lutheran churches throughout the German state of Bavaria.   In personal interviews conducted throughout the planning of the tour and during their travels, we get to know and admire these strong and resilient women who speak about the effects of colonialism on their traditional culture, including their ancestors learning these songs from Lutheran missionaries and passing them down through generations. The chorus members also speak of the strong relationships that bind them as women. Their love of the music and their angelic voices won the hearts of the German people who remembered the old hymns that their parents would sing to them.  Australia 2017 (84 minutes)

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