Flatland

Imagine if Thelma and Louise were chased by authorities while riding on horseback through a deserted rural region so flat that, as one of the pursued puts it, “you can see your future rolling in.” Now you have an inkling of this wild genre mashup—part contemporary Western, part soap opera and all engrossing. A petrified bride whose wedding climaxes in murder and her extremely pregnant friend are the ones being chased. Hot on their trail is a cynical detective named Beauty whose ex-lover is framed for the murder. Noted South African director Jenna Bass views the Western through a female prism.

South Africa 2019 (117 minutes)

Sorry We Missed You

The much awarded British director Ken Loach has become a preeminent chronicler of the left behind. Set in Newcastle, his new film centers on Ricky, a laborer who brags about never going on the dole and hopes to become his own boss—and afford a house for his family—by signing up as a freelance delivery driver. But his heavy schedule combined with that of his compassionate social worker wife who can’t walk away from needy clients causes havoc in the lives of their two children. Loach is a favorite at Mostly British and we are pleased to follow his Cannes award-winning “I, Daniel Blake” with his latest compassionate look at the struggling working class.

UK 2019 (100 minutes)

Happy New Year, Colin Burstead

There’s no leftover Christmas cheer as the seriously dysfunctional Burstead clan reluctantly gather for a New Year’s bash planned by eldest son Colin. He’s chosen a dismal seaside mansion that looks like the Addams family just vacated it. Singular director Ben Wheatley composes scenes simmering with impending doom as the clan’s resentments are left to fester. The black humor is all in good sport and, oddly enough, great fun to savor. Standouts in the ensemble cast are Sam Riley (“Maleficent,” “Zombie”) as Colin’s feckless younger brother and Charles Dance (“Game of Thrones,” “The Jewel in the Crown”) as their cross-dressing Uncle Bertie.

UK 2018 (95 minutes)

Mrs. Lowry and Son

If you are unfamiliar with L.S. Lowry, here is the opportunity to meet one of the UK’s greatest 20th century painters – an artist with a distinctive vision, eccentricity framing his eye for the aloneness of people in post-industrial England. Adrian Noble offers this gentle, sensitive film capturing Lowry (played perfectly by Timothy Spall) devoted to caring for his snobbish, bitter, critical mother (Vanessa Redgrave). A rent collector before becoming an established artist, Lowry observed the streets and factories of his humble background and showed us a different way of seeing. The film is a quiet gem showcasing wonderful period detail and great performances.

UK 2019 (93 minutes)

Ophelia

A beautifully staged and intriguing retelling of “Hamlet” through the eyes of Ophelia, a young commoner in the court of the Queen of Denmark. Played by “Star Wars” heroine Daisy Ridley, she is a natural beauty, spirited and sagacious. She comes of age amid the palace intrigue and family betrayal played out by Hamlet’s mother Gertrude (Naomi Watts) and her late husband’s brother Claudius(a spirited Clive Owens). We revisit Shakespeare’s familiar drama and revel in his portrayal of first love. The art direction, cinematography and choice of music combine to create a lush and lovely film. Ophelia’s story told for the first time through female eyes by director Claire McCarthy results in a timely release.

UK 2018 (114 minutes)

Introduced by Peter Robinson, movie critic for KALW and editor of San Francisco Books & Travel

Sponsor: Carol and Ezra Mersey

Closing the Ring

Film legends Shirley MacLaine and Christopher Plummer star in this sweeping romantic drama spanning more than 50 decades and two continents. Intertwined stories of lost and unspoken love unfold against the background of WWII and the Northern Ireland ‘Troubles’ in Sir Richard Attenborough’s final and, undeservedly all but forgotten, film. When Belfast treasure hunters risk the wrath of the IRA by excavating a site where a US bomber went down during the war, what they discover links destinies, and the past, on both sides of the Atlantic. A heartfelt affirmation of the durability of true love, the film is about digging up the past both literally and figuratively, about coming to terms with life and the need to honor the promises we make. With Pete Postlethwaite and Brenda Fricker in stellar supporting performances.

US/UK 2007 (118 minutes)

Greed

A disgustingly rich London fashion mogul called Sir Richard McCreadie –nicknamed “Greedy”– decides to throw himself an ostentatious Romanesque 60th birthday party on the island of Mykonos, going so far as to import the real live lion from the Colosseum scene in the movie “Gladiator.” Fresh off playing sad sack Stan Laurel, Steve Coogan glitters and glows as Sir Richard in a Roman toga and gold plated crown setting off his tan and alpha-male silver-grey hair. As obstacles mount, hideous truths are revealed about the host’s past. Prolific director Michael Winterbottom serves up, in the words of one critic, “a breezy, funny, unsubtle scattershot satire-melodrama all about the moral squalor of the superrich.”

UK 2019 (100 minutes)

9 p.m. Party Vogue Lobby 
Everyone is Invited

 

2019 Festival Pass

Purchase your Mostly British Film Festival Series Passes and get priority seating for all films.  Discounts go to members of theSFFILM, the Fromm Institute, the San Francisco Neighborhood Theater Foundation and people 65 and over.

Peterloo


Esteemed British director Mike Leigh brings to life one of the bloodiest and darkest episodes in British social history, the infamous Peterloo Massacre of August 16, 1819. Representatives of the Tory government ordered a regiment of regular cavalry, abetted by local mounted militia and hundreds of infantry and special constables, to charge, sabers drawn, into a working-class crowd of 60,000 who had gathered for an entirely peaceful rally—calling for parliamentary reform—in St Peter’s Field, Manchester, England. Bands played “Rule Britannia” and “God Save the King.” Banners spoke of “Liberty and Fraternity”. But the authorities feared an outbreak of violence that might foment bloody revolution. The storming of the Bastille that sparked the French Revolution and the ensuing “Terror” and the American Revolutionary War were all within living memory. Eighteen people killed; more than 650 severely injured. The brutal “Peterloo Massacre”—named by a local newspaper, to echo Britain’s defeat of Napoleon at the Battle of Waterloo — triggered a national outcry that proved to be a turning point in the slow, but inexorable evolution of British democracy. This is Mike Leigh’s largest cinematic canvas to date, and he uses a notable ensemble cast headed by Maxine Peake (in person at the festival) and Rory Kinnear. Immersive, impassioned, meticulously crafted, the film brims with contemporary relevance. Why is Peterloo important?  Because people died there simply for asking for the right to vote. UK 2018 (154 minutes) 

Introduced by Maxine Peake and Board Member Tony Broadbent. Miss Peake will be interviewed following the screening by Mostly British Senior Programmer Maxine Einhorn.

GUEST OF HONOR:  MAXINE PEAKE 
English actress Maxine Peake will join us at the festival with two of her new films, which she will introduce and participate in a Q & A following the screenings. She stars in “Peterloo,” as the mother of a young British conscript in this story of the infamous 1819 massacre at Peterloo. In “Funny Cow” she plays a female comic attempting in the 1970s to find a place in England’s comedy circuit. The Guardian wrote of her performance “Peake rises magnificently to the challenge of the role, her face flickering between a practical smile and a silent scream.” She is a regular on the Hulu show “The Bisexual” and is known in the UK for lead roles in the TV series “Dinnerladies” and “Shameless.” She has also appeared in “Black Mirror” and the movie “The Theory of Everything.” Her stage work includes the title characters in “Hamlet” and “Miss Julie” and as Blanche in “A Streetcar Named Desire,” a performance The Guardian described as “exquisite” and “breathtaking.” Introduced by star Maxine Peake and Board Member Tony Broadbent. Miss Peake will be interviewed following the screening by Mostly British Senior Programmer Maxine Einhorn.  

Number 37

This South African crime thriller, set in a notoriously dangerous area outside Cape Town, stars Irshaad Ally as Randal, a bitter paraplegic crook desperate to pay off a sadistic loan shark (Danny Ross).  A wonderful Monique Rockman is  Randal’s long-suffering girlfriend. Co-directed by first-time feature director Nosipho Dumisa, the film is cheerfully derivative of Hitchcock’s “Rear Window” emphasizing Randal’s immobility and use of binoculars.  Although focused on lives shaped by chronic poverty, “Number 37” avoids social commentary.  Cinematographer Zenn van Zyl draws richness from the grungy setting, resulting in a film the New York Times calls “crackling with its own lowlife energy.” 

South Africa 2018 (100 minutes)