Michael Caine invites you to come celebrate the 1960s—the Decade that Changed the World. Freedom from tradition and convention was the hallmark of a social revolution. A pop culture awakening impacted everything from art, music, and clothing, to morality and religion. This documentary is a vivid and often times very funny narrative love letter about the UK’s postwar outpouring of working-class creativity and Caine’s own, very personal journey through 1960s Swinging London. Loaded with rare archival film footage from the era and with voiceover interviews with Paul McCartney, Twiggy, Marianne Faithfull, David Bailey, Roger Daltrey and Mary Quant. Also heard from are Lulu, Twiggy, Joan Collins, Sandie Shaw and David Putnam, all accompanied by a truly wondrous soundtrack of the times: The Beatles, Rolling Stones, Kinks, The Who, The Animals, et al. Great fun. Not to be missed. 2018 (85 minutes) “Looking for Lennon” and “My Generation” introduced by Tony Broadbent, author of the guidebook ‘”From Be-Bop-a-Lula’ to “Beatlemania’ – The Beatles Early Years in Liverpool, Hamburg and London.”
Category Archives: 2019
Flammable Children
From Stephan Elliot, writer and director of “The Adventures of Priscilla, Queen of the Desert,” comes this hilarious and raunchy comedy about growing up in a Sydney beachside suburb during the swinging 1970s. Guy Pearce who became a star playing a drag queen in “Priscilla” is this time cast as one of the parents, along with Aussie star Radha Mitchell (in person at the festival), attempting to raise their children in relatively privileged circumstances between wild partying and general outrageous behavior. For a couple of their teenagers their parents’ behavior is difficult to understand and makes coming of age all the more daunting. The teens are forced to deal with marital discord not to mention a beached whale. Clever nostalgic references to the 70’s are a treat along with compelling character performances from the large cast including famous pop star and Australian TV icon Kylie Minogue and veteran actor Jack Thompson. Australia 2018 (97 minutes)
GUEST OF HONOR: RADHA MITCHELL
Australian actress Radha Mitchell will join us at the festival with two of her new films, which she will introduce and participate in a Q & A following the screenings. She stars in “Flammable Children,” as a parent trying to raise children in the wild 1970s in Sydney. In “Celeste” she gives a touching and vulnerable performance as a renowned opera diva who gives up her career for the man she loves and moves to a rainforest. Her films “Looking for Grace” and “The Waiting City” played in the Australian Spotlight section of the Mostly British festival. The critical success of “High Art,” one of her early Hollywood movies, gained her a wider audience. She has also worked in Hollywood on “Neverland” and “Melinda and Melinda.” Woody Allen hired her as the lead character Melinda without an audition on the strength of seeing one of her movies.
Introduction by Radha Mitchell followed by an explanation of Everything Australian by Mostly British board member Lachlan Welsh. Miss Mitchell will participate in a Q & A after the screening.
Celeste
Writer/director Ben Hackworth brings us a retired opera singer, Celeste, a star fifteen years ago who is now attempting a come-back. At forty something she is living in a crumbling paradise somewhere in the lush rainforest of north-eastern Australia. Set against this wondrous tropical backdrop, Radha Mitchell (appearing in person at Mostly British) plays the nervy diva with resplendent theatricality, mourning the death of her husband ten years earlier and finding comfort from drink and her friend/producer Grace, she prepares for the show. Enter her estranged stepson Jack (Thomas Cocquerel), no longer a teenager, but now described so eloquently by the Hollywood Reporter as “a virile slab of wayward young manhood.” Indeed, he is and tension mounts. Enigmatic and at times mysterious, this film is always engaging, offering stunning location shots to bask in.
Australia 2018 (105 minutes)
GUEST OF HONOR: RADHA MITCHELL
Australian actress Radha Mitchell will join us at the festival with two of her new films, which she will introduce and participate in a Q & A following the screenings. She stars in “Flammable Children,” as a parent trying to raise children in the wild 1970s in Sydney. In “Celeste” she gives a touching and vulnerable performance as a renowned opera diva who gives up her career for the man she loves and moves to a rainforest. Her films “Looking for Grace” and “The Waiting City” played in the Australian Spotlight section of the Mostly British festival. The critical success of “High Art,” one of her early Hollywood movies, gained her a wider audience. She has also worked in Hollywood on “Neverland” and “Melinda and Melinda.” Woody Allen hired her as the lead character Melinda without an audition on the strength of seeing one of her movies.
GUEST OF HONOR: BEN HACKWORTH
The director of “Celeste” had an auspicious beginning as a filmmaker. His short film, “Martin Four,” made while he was in film school, was selected to show at the Cannes Film Festival. His debut feature “Corroboree” was chosen for the Toronto International by Noah Cowan, now executive director of SFFILM. Hackworth is one of three Australian directors to be awarded a prestigious Cannes Film Festival Residence to develop a screenplay. “Celeste” opened the Brisbane International Film Festival in the city where Hackworth makes his home.
Introduction to “Celeste” by Mitchell and Hackworth. Both will be interviewed following the screening by SFFILM Executive Director Noah Cowan.
Shalom Bollywood: The Untold Story of Indian Cinema
The Greta Garbo of India was a sultry Jewish actress named Ruby Myers. Known as Sulochana, she was a silent era superstar who faded from history. Now she’s back in the spotlight in this eye-opening documentary that explains how Myers, Esther Abraham, Rose Ezra and Florence Ezekiel left their mark on Indian cinema from the 1920s through the 1960s. Because Hindu and Muslim women refused to be on camera, actors were recruited from small but less strict Jewish communities that had been in India for 2,000 years. It’s a treat to see the rare footage showing the elaborate costumes and sets, not to mention some serious swooning. India 2017 (85 minutes)
The White Crow
Ralph Fiennes’ ambitious directing effort centers on Russian ballet legend Rudolf Nureyev from his humble beginnings in Siberia to his life-changing visit to France as part of the Kirov Ballet, culminating in his dramatic defection to the West in 1961. Scripted by Britain’s legendary screenwriter David Hare (“The Hours,” “The Reader”), this dance-heavy biopic features acclaimed Ukrainian dancer Oleg Ivenko as Nureyev, showing a fierce physicality in his first film role. Fiennes plays an understated role as Pushkin, St. Petersburg’s most respected dance instructor, who sees something in Nureyev’s passion, prizing it above pure technical skill. Fiennes plays the role in Russian, which he learned just enough of to sound convincing. Adele Exarchopoulous (“Blue is the Warmest Color”) acts against type as the reserved Chilean heiress who opens Nureyev’s eyes to the West’s liberated attitudes to art and sexuality. The film, which Variety calls “lovely and elegant” ends with a gripping scene at Paris’ Le Bourget Airport which– even though we know the outcome– leaves us breathless. UK 2018 (117 minutes)
Opening Night
5:00 PM Reception Laureate Bar and Lounge
444 Presidio Avenue
Sponsored by British Heritage Travel Magazine
The Song Keepers
This heartwarming documentary written and directed by Naina Sen tells the story of an unlikely cultural exchange that occurred when the newly revived Central Australian Aboriginal Women’s Chorus left their home in the Outback and flew overseas for the first time to sing ancient German Lutheran hymns in their own language at Lutheran churches throughout the German state of Bavaria. In personal interviews conducted throughout the planning of the tour and during their travels, we get to know and admire these strong and resilient women who speak about the effects of colonialism on their traditional culture, including their ancestors learning these songs from Lutheran missionaries and passing them down through generations. The chorus members also speak of the strong relationships that bind them as women. Their love of the music and their angelic voices won the hearts of the German people who remembered the old hymns that their parents would sing to them. Australia 2017 (84 minutes)
Please observe the film’s new date and time:
Sir
Directed by Rohena Gera, this gentle Indian drama focuses on Ratna, a young woman from a poor rural village who works as a live-in maid to a wealthy young man, Ashwin. Both seem lost with dreams that have been thwarted. But this is not a story about the docile, downtrodden Asian woman, although Ratna is quiet and guarded among the sophisticates of the Mumbai elite. Despite the careless disdain from Ashwin’s family and friends, she maintains her dignity and determination to make her own way in life. The film explores these two young people reaching through the stultifying barriers of caste or modern-day social class to the humanity and compassion they share. It is beautiful to watch.
India, France 2018 (96 mins)

