End of Sentence

A wayward young man and his estranged father rebuild their bond as they journey to Ireland to scatter the ashes of their mother and wife. Frank (Oscar and Golden Globe nominee John Hawkes) isn’t the father he should have been. Sean (Logan Lerman) isn’t the son he should have been. With plenty of unresolved issues, the journey becomes a lot more than father and son had bargained for. A beautifully observed story from director Elfar Adalsteins; emotionally raw and rich with deeply affecting moments. End of Sentence is much more than a traditional road film. Ireland/Iceland/USA. 2019 (96 minutes)

Presented in partnership with Consulate General of Ireland, San Francisco and SF Irish Film

The Last Bus

The title alone distinguishes The Last Bus from a bevy of road movies involving cars, motorcycles or bikes. For some unclear reason Tom — an elderly gentleman on a mission to return his recently deceased wife’s ashes to Land’s End, Cornwall, chooses public transport to travel the 800 miles to the other end of Great Britain. With the always pleasing Timothy Spall as Tom, the reason scarcely matters. The protean actor excavates the joy in Tom’s journey via a daisy chain of local buses, including one with day-tripping sheep onboard. Travel jogs Tom’s memory, prompting flashbacks of his married life. UK 2021 (86 minutes)

Rams

“The best Aussie sheep movie since Babe,” enthuses one film critic from Down Under. But Rams offers far more through the touching recreation of a contentious relationship between brothers. Many families may find familiar elements in the rivalry between the two. A grizzled-looking Sam Neill and Michael Caton play the alienated siblings who haven’t spoken in 40 years although their sheep farms are a mere 328 feet apart. A threat to their beloved flocks forces them to work together with tumultuous if life-affirming results. As a nod to the award-winning film from Iceland of which Rams is a remake, the co-stars are seen wearing Icelandic sweaters. Australia 2020 (118 minutes)

Sponsor: Australian Consulate General San Francisco

Ronnie’s

All of us Londoners remember Ronnie Scott’s Jazz Club. It was the place to be and be seen. Oliver Murray’s documentary pays homage to the famous hot spot and its founder, Ronnie Scott, which opened in 1959 and is still swinging. The film includes vintage clips of Ella Fitzgerald, Miles Davis, Jimi Hendrix and more – everyone was there. Opening with Oscar Peterson on the piano, Ronnie’s features vintage clips of the greats: Sarah Vaughan, Cleo Laine, Nina Simone, Eric Burdon and even Van Morrison singing Send in the Clowns. Come on down to sleazy Soho! UK 2020 (103 minutes)

After Love

This intricate drama is in the admirable tradition of films that take off in unanticipated directions. After Love appears to track the peaceful life of a middle-aged Muslim couple in Dover, heavily invested in their faith. When the husband unexpectedly dies the film becomes an examination of his widow Mary’s strength after she discovers he’s shared a secret life with an independent Frenchwoman as different from Mary as can be. Be prepared for another twist when Mary infiltrates the life of her husband’s mistress. As the scorned wife, Joanna Scanlan elevates the movie with her sympathetic and riveting performance. Winner six British Independent Film Awards, including Best Film. Scanlan also is nominated for a BAFTA (the British Oscars) for best actress and her director Aleem Khan is up for best director. UK 2020 (89 minutes)

Co-Presented by SFFILM

True Things

One of the hottest psycho-sexual thrillers you are likely to see, True Things succeeds in large part because of superlative casting. Ruth Wilson and Tom Burke make you believe that their characters fall under an instant erotic spell because the actors reenact familiar roles –Wilson in The Affair and Burke in the The Souvenir. In their latest outing here they meet across a government desk, where she doles out benefits to ex-cons like him. She risks her job and the life she’s made to plunge headlong into a carnal relationship with an obviously inappropriate lover. The film explores whether sexual gratification is worth it. UK 2021 (102 minutes)

Deadly Cuts

A black comedy set in a working-class Dublin hair salon where the stylists become accidental vigilantes and community heroes as they take on the gang members and gentrifiers threatening their community, Deadly Cuts is ridiculously, deliciously over-the-top. It zips right along with zingy one-liners and features some outrageously camp performances that add to the infectious fun. Rachel Carey directs this brash, bold and boisterous comedy– the kind that’s hard to come by (and just what you may be looking for!). Ireland 2021 (90 minutes)

Presented in partnership with Consulate General of Ireland, San Francisco and SF Irish Film

Herself

A Dublin-set drama from director Phyllida Lloyd (Mama Mia!, The Iron Lady), Herself is the empowering story of a battered wife (actor/screenwriter Claire Dunne) who finds the grit to leave her husband, navigate the realities of homelessness and reclaim a stable life for herself and her children. An inspiring portrait of a determined survivor who, against the odds, literally builds her own house, finding a true home among the decent folks who come to her aid along the way. Ireland/UK 2020 (97 minutes)

Presented in partnership with Consulate General of Ireland, San Francisco and SF Irish Film

Nobody Has to Know

A Belgian farmhand (Bouli Lanners) exiles himself to a remote Scottish island where he suffers a stroke causing loss of memory. Local islanders call him their Jason Bourne.  One native, a farmer’s daughter (Game of Thrones’ Michelle Fairley), falsely describes to him their torrid affair preceding his amnesia.  These unusual circumstances make for an odd but beguiling romance—sure to captivate with its tale of guilty secrets, regrets and longing, challenging the very roots of sexuality and love. Lanners (who also directs) and Fairley play off each other with a quietness belying their intense feelings. Little wonder they both took top acting honors at the Chicago International Film Festival. UK 2021 (99 minutes) 

Falling for Figaro

Whether you’re an opera lover, a fan of romantic comedies or just in the mood for a feel-good movie, you will fall for the gentle charm of Falling for Figaro. It’s the irresistible story of a young American financial whiz, who passes up a promotion with a London firm to pursue her impossible dream of studying opera in the Scottish Highlands, captured in all their glory. Her teacher is an eccentric diva played with hilarious abandon by Ab Fab’s Joanna Lumley. Competing in a national contest, the American novice finds herself up against a dashing fellow student. Romantic juices stir when the two are instructed to rehearse together. UK 2020 (104 minutes)

Joanna Lumley will introduce the film on Zoom

Sponsor: Bruce Lymburn